Festsaal Kreuzberg

Corporate Design

The Festsaal Kreuzberg is one of Berlin's most popular and iconic event venues. I have developed a new corporate design for the Festsaal Kreuzberg with programme and event posters.

Client: Festsaal Kreuzberg

Museum Friedland

Corporate Design

The Museum Friedland tells migration stories at a unique location. As an active initial reception centre, the border transit camp is still a place of diverse migrations today.
We helped the museum to find and implement a new and customised corporate design due to constantly changing requirements. The new key visual conveys the core themes while remaining independent of images and text.

Client: Museum Friedland
Concept & Design: Christine Gundelach, Hannes Häfner & Constantin Karl

A commercial project commissioned by EDITIENNE Berlin.

Letterings

3D Design / Typografie

Research and experiments with 3D typography & letterings. ♥

Canconesnostra

Motion Design

In Canconesnostra (»Our Song«), artists Yeshe and Katta Lana venture into Berlin's underground nightlife with producer Brauer. It's about attraction, desire and physical and emotional closeness, all reflecting a shared consensus. And things can get hot in the process.

Director, Producer: Lukas Hertlein & Constantin Karl
Story: Lukas Hertlein, Constantin Karl, Lina Zopfs
DOP: Yannick Müller
1AC: Finn Bierlein
2AC: Maximilian Elske
Steadycam: Sarah Alisch
Steadycam Assistant: Lars Philippen
1AD: Lina Zopfs
2AD: Katharine Spatz
3rd AD Crowd: Iris Brejean
Gaffer: Alexandros Liossatos
Gaffer: Vladislav Konyshev
Gaffer Assistent: Noah Gsell
Gaffer Assistent: Michael Kulikov
Best Boy: Tilman Bechtold
Best Boy: Janusch Lorenz
Edit & DIT: Ruth Glas
Edit: Lukas Hertlein
Sounddesign: Raven Grace Janicello
Grading: Christoph Hanisch
Unreal Engine: Constantin Karl & Lukas Hertlein
3D Scan: Constantin Karl & Janusch Lorenz
Cinema4D: Lukas Hertlein
Set Photographer: Selina Brandl-Busse

Prints & Plakate

Grafikdesign

Over the years, my enthusiasm for posters has resulted in a large archive full of self-designed posters. The medium is an enormous playground for me, but one that remains within the rules of the supreme discipline of posters. I use screen printing or digital printing for the realisation. The development and production can be digital or completely analogue. ♥

Escancarar Font

Typedesign

The ESCANCARAR TYPE belongs to the Pixacao fonts. This style was created and tagged by the kids from the streets of Sao Paulo. By tagging this font in between the cramped skyscrapers, the kids express their sense of freedom, which they refuse to be taken away from.